The NYT says we’re on the right track
Conflicts Between Cultures Win Awards at Sundance
Maybe it’s new to American audiences, but Turkish film-makers have beaten this topic to death in the Old World. There is even a name for the genre (immigrant cinema), so our film won’t be the first out of the gate, but it won’t finish last, either. OTWOTW deviates from the genre convention because our characters are not struggling in the same sense as immigrant Turks in Europe. Plus America is not as homogeneous as Europe. What was that about melting pots and tossed salads?

Activity: Last 10 Weeks
The second draft of Once There Was, Once There Wasn’t concludes with a final bedroom scene that is symmetrical to how the film opens. It provides an aesthetic sense of balance and closure, but isn’t really necessary for advancing the plot. Which wins out: fancy form or pithy plot?